The Annual |
1987 to 1990 |
Glebe Music Festival |
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In conjunction with The Glebe Society Inc 1987 to 1990 Music at Margaretta Cottage immediately before the Glebe Music Festival Musical Soirée The Windworth Players: By Special Arrangement: Programme Bach: Siciliano Bach: Sheep May Safely Graze Flute Solo and Harpsichord: Fiona Perrin and Robyn Worth Bach: Air in D Harpsichord Solo: David McIntosh Gluck: Orpheus Vocal Duets: Ken Plant and Barry Strong Haydn: Viaci Bobby Shaftoe Londonderry Air Blue Bells of Scotland Sky Boat Song Ash Grove Minstral Boy All Through the Night WEA and the Organ Society of Sydney: Second Course
1987 (No. 275) David McIntosh: Organ and Harpsichord Giovanni Martino Cesare I: 'La Hieronyma' from Musicali
Melodie, 1621 Georg Philipp Telemann (1681-1767): Sonata in F minor Telemann: Concerto in D major Dietrich Buxtehude (1637-1707): Chorale "Wie schön
leuchtet der Morgenstern" (How brightly shines the morning star).
For Christmas Buxtehude: Chorale "Komm, Heiliger Geist, Herr
Gott" (O Come, Holy Ghost) J. S. Bach (1685-1750): Siciliano in G minor from Sonate
II (Three Sonatas for Flute and Cembalo) J. J Quantz (1697-1773): Trio Sonata in C major J. S. Bach: Trio Sonata No. III in G Major Trinity Society of the Arts presents a Soirée
Musicale Anthony Ferner: Flute Programme Handel: Sonata in G Minor - Adagio, Andante, Adagio, Presto J. S. Bach: Siciliano from Sonata No. 2 Corelli: Gigue Gluck: Minuet and Dance of the Blessed Spirits - Orfeo Liszt: Valse Oublié, Rigoletto Paraphrase Poulenc: Sonata for Flute and Piano - Allegro malinconico, Lento, Presto Giocoso Gossec: Tambourin Musical Soirée G. P. Telemann: Triosonate B flat major - Siciliana,
Vivace G. F. Handel: Where 'ere you Walk Mussorgsky: piano solo Bach: Sarabande from unaccompanied Suite No. 3 for Cello Vaughn Williams: Youth and Love Bach: Violin solo C. P. E. Bach: Triosonata Poem (by Walter de la Mare) submitted in response to the concert: Far are the shades of Arabia Sweet is the music of Arabia They haunt me - her lutes and her forests; Musical Soirée Cesar Franck: Sonata for Violin and Piano Musical Soirée Toni Powell: Soprano G. Caccini (1550-1610): Four Songs A. Scarlatt (1660-1725): Aria in forma di Menuet alla
Francese from 7 aire con Tromba Sola: 'Mi tesoro per te moro' A. Scarlatti: Sinfonia to 'Il Giardino di Amore' D. Buxtehude (1637-1707): Solokantata No. 1 'Singet
dem Herrn' Psalm 94 v1-4 C. Gounod (1818-1893): The Jewel Song from Faust L. Mozart (1719-1787): Trumpet Concerto in D C. Debussy (1862-1918): 'La Soirée dans Grenade',
'Jardin sous la pluie' from Estamps A. Corelli 91653-1713): Sonata in D Op. 5 No. 1 G. F. Handel (1685-1759): 'Let the Bright Seraphim'
from Samson Soirée in the Presence of Geoffrey Parsons,
who will open the new harpsichord Stephen Delaney: Piano Medley to Follow: Bill Brooks, David Fisher, John Gordon, Rex Melville, John Winter Programme Rogers and Hammerstein: Some Enchanted Evening H. Wolf: Mausfallensprüchlein, Nixe Binsefuss Schumann: Der Nussbaum, Die Lotosblume, Lied der Suleika,
Aus den östlichen Rosen Brahms: Sonata in D Minor Op. 108 Opening of John Storrs Harpsichord by Geoffrey Parson Bach: Partita No. 4 in D Major - Ouverture Maestoso
& Allegro, Allemande Lento, Courante Allegro, Aria Andantino, Sarabande
Andante tranquillo, Menuet Temp giusto, Gigue Allegro Vivace H. Duparc: Chanson Triste, La vie antérieure Tchaikovsky: The Pilgrim's Song W. Walton: Daphne, Through Gilded Trellises, Old Sir
Faulk Musical Soirée Paul Goodchild: Trumpet and Cornet-a-piston St Hildegard von Bingen (1098-1179): O ignis spiritus Antonio de Cabezón (1510-1566): Diferencias sobre
la Gallarda Milanesa Alessandro Scarlatti (1660-1725): 7 Arie con Tromba
Sola: No. 3 Con voce festiva, No. 4 Rompe sprezza, No. 6 Mio tesoro Gaetano Donizetti (1797-1848): Solo from 'Lucia di Lammermoor' Franz Schubert (1797-1828): Der Musensohn, Ganymed George Handel (1685-1759): Suite in D: Overture, Gigue,
Aire, Bourée, March Jean-Claude Balbastre (1729-1799): La D'Hericourt, La
Suzanne Otto Nicolai (1810-1849): The Merry Wives of Windsor,
Frau Fluth Aria Duets Claude Bolling (Born 1920s): Allegro O ignis spiritus O ignis spiritus paracliti Sanctus es ungendo O spiraculum sanctitatis O fons purissimus, O lorica vite Custodi eos O iter fortissimum De te nubes fluunt, Te etiam semper educis doctos Unde laus tibi sit, O fire of the Comforter-Spirit, You are holy in anointing O breath of holiness, O purest fountain, O breastplate of life Guard those O most valiant way, From within you the clouds spread forth, You likewise forever nourish the learned, Whence praise be to you Organ and Harpsichord Symposium David McIntosh: Organ and Harpsichord Margaretta Cottage Carlos Seixas (1704-1742): Toccata re menor Carlos Seixas was a Portuguese composer, organist and haspsichord player, influenced in Lisbon by Domenico Scarlatti (son of the more famous Alessandro). Dietrich Buxtehude (1637-1707): Solokantata Nr. 1 "Singet
dem Herrn" "Singet dem Herrn" Psalm 98, 1-4 O sing unto the Lord a new song; The Lord hath made known his salvation: He hath remembered his mercy and his truth Make a joyful noise unto the Lord, all the earth: Dietrich Buxtehude was a Danish organist and composer who obtained the post of organist at the Marienkirche in Lübeck in 1668. Johann Christian Bach (1735-1782): Sonata III Johann Christian Bach was the youngest son of J. S. Bach and Ann Magdalena Bach. After his father's death he went to Berlin, then to Italy in 1756 and England in 1762. Here he became music-master to the Queen and performed there with Mozart in 1764. W. A. Mozart (1756-1791): Church sonatas 6 and 4 Annette Christensen: Violin Both church sonatas were composed in Salburg, No. 4 in 1722 and No. 6 in 1775. Exposition of Organ Styles Flor Peeters (1903- ): Aria Peeters was the director of the Antwerp conservatory and composer of many liturgical and organ works. Gordon Young (1919- ): Baroque Suite: Plein Jeu, Marche
Petite, Aria, Toccata This suite was written for the American virtuoso organist Virgil Fox. It is arguably Young's best work and is useful in demonstrating the full range of the effects of the organ. Often recorded, a fascinating version is available on the 1857 instrument in the Oude Kerk in Delft played by Feike Asma. St Scholastica's David McIntosh: Organ Johann Pachelbel (1653-1706): Aria in a moll mit sechs
Variationen ("Aria Quinta" aus dem "Hexachordum Apollinis") Johann Pachelbel was a German organist and composer, father of Wilhelm, Johann occupied the post of organist at Altdorf, Ratisbon, Vienna, Eisenach, Erfurt, Stuttgart and Gotha before being appointed to St. Sebaldus Church at Nuremberg in 1695. His importance in the history of music is due to the fact that he was one of the spiritual ancestors of Bach. Moneta Eagles (Dec 1989 Melbourne): Lullaby for Anthea The first performance was given by Susan Heath, on 29 April 1990, Wesminster Abbey, London. The work was specially composed for Susan and Andrew Downey's first child born 10 August 1989. Moneta Eagles: Quasi Fanfare from Two Preludes for Organ The first performance was given by Dr Vincent Sheppard in an "Australia Day" Organ Recital, broadcast by the Australian Broadcasting Commission from the Great Hall, University of Sydney, on 25th January 1955. St Hildegard von Bingen (1098-1179): O Viridissima Virga O Viridissima Virga (O Greenest Branch) O Greenest branch, hail, When the time has come For within you the beautiful flower Whence the heavens have rained dew Thereupon a feast was prepared for Mankind St Hildegard von Bingen was born of a noble family. She joined the Benedictine community in 1116 and became Abbess in 1136. She was a medical doctor, pharmacist, playwright, poet, painter, musician and visionary, and was the grandmother of the Rhineland mystics. In the same league as Dam Julian of Norwich and St Francis of Assissi, she had an ecological view of the world based on micr/macro cosmic psychology. She dictated "Scivias" between 1141 and 1151 consisting of 3 books of 26 visions including the vices of the world and enigmatic prophecies of disaster. She was canonised in the 15th century. Dr Graeme Rawson: Organ Most of the following pieces were chosen with the romantic nature of this organ in mind. As it contains a high proportion of 8' (unison pitch) stops it is unsuited to music requiring great clarity of texture such as fugues and other sprightly contrapuntal works. Gordon Young (1919 - ) Passacaglia for E. Power Biggs,
Trumpet Tune Young was born in Kansas and studied with Joseph Bonnet, the organist of St. Eustache in Paris. A prolific organ and choral composer, his music is essentially 'popular' drawing on tunes ' in the air' for thematic material. Jan Pieter Sweelinck (1562-1621): Ballo del granduca Sweelinck is undoubtedly the most important Dutch composer. As his pupils included most of the famous organists of the North German School of the seventh century, his influence on Bach and Handel can be traced. Louis Vierne (1870-1937): Berceuse Appointed organist of Notre Dame Cathedral in 1900, he died at its console during his 1,750th recital. His music is melodically imaginative, elegant, full of harmonic detail and reflects a profound mysticism. He was arch-priest of the French romantic symphonic school. This gentle piece is dedicated to his daughter Collette. José Lidon 91752-1825): Sonata for Trompetta
real Lidon was organist of the Chapel Royal in Madrid and the piece is written for the most powerful horizontal stop on the Spanish organ. Anon. (C17th): Gallharda de 1° tom Found in the municipal library of Porto, this could be a decadent or evolutionary form of the 16th century Galliard (dance). Antonio Valente (c1520-1580): La Romanesca This piece was composed in Naples in 1576 and is influenced by a popular Spanish song of the period. Naples at this time belonged to the Spanish crown. P. Antonio Soler (1729-1783): Concierto III para instrumentos
de tecla Soler was a Spanish composer, monk of the Order of St.
Jerome and organist and choir-master to the royal monastery at the Escorial.
He was a pupil of Domenico Scarlatti. The organ in the chapel of the Convent of the Good Samaritan, St Scholastica's, Glebe, was designed by Revd. Fr. Stephen Moreno, O. S. B., New Norcia, Western Australia, who ordered the pipes, stops, etc and came personally to see it. Hill, Norman and Beard were the builders. Dom Moreno had completed his musical studies in Germany under Walter Braunfels (a former student of Brahms and Bruckner). Specifications: Swell Organ Great Organ Pedal Organ Musical Soirée in aid of the Royal Alexandra
Hospital for Children 1990 Telethon (the event soirée raised $2,200) Performers Programme Girolamo Frescobaldi (1583-1643): Sonata No. 1 Canzona
prima detta la Bonvisia; Sonata No. 3 Canzona terza detta la Bernardinia Dietrich Buxtehude (1637-1707): Solokantata No. 11 "Schaffe
in mir, Gott ein rein Herz" J. B. Loeillet (1680-1730): Sonata in B flat Adagio,
Allegro, Gavotte, Saraband, Gigue J. S. Bach (1685-1750): Kozert in D minor BWV 1043 Vivace,
Largo ma no tanto, Allegro St Hildegard von Bingen (1098-1179): O Viridissima Virga For text see above John Coprario (1575-1627): Fantasia No. 9 Fantasia,
Almain, Galliard G. F. Handel (1685-1759): 'Let the Bright Seraphim'
from Samson G. Mahler (1860-1911): Lieder Rheinlegendchen Folksong Kirst Whitlocke: Soprano J. S. Bach/C. Gounod (181-1893): Ave Maria W. A. Mozart (1756-1791): In uomini, in soldati. Despina's
Aria from 'Cosi fan tutte' Verdi (1813-1901): Questo quella from Rigoletto The unveiling of Australia's newest classical record
label Tall Poppies Records Launch of the first CD 'For Children' featuring Australian virtuoso pianist Geoffrey Tozer to be launched by Peter Sculthorpe. Launch of the second CD 'Café Concertino' featuring Australia's foremost chamber group the Australia Ensemble to be launched by Roger Covell. Launch of the third CD 'For Flute and Guitar' featuring distinguished Canberra-based musicians Virginia Taylor and Timothy Kain to be launched by John Painter.
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